Saturday, August 22, 2020

Free College Essays - Analysis of Shakespeares Sonnet 75 :: Sonnet essays

Examination of Sonnet 75 Poem 75 So are you to my considerations as food to life, Or on the other hand as sweet-season'd showers are to the ground; Also, for the tranquility of you I hold such difficulty As 'twixt a penny pincher and his riches is found; Presently pleased as an enjoyer and anon Questioning the filching age will take his fortune, Presently tallying best to be with only you, At that point better'd that the world may see my pleasure; At some point all full with devouring your sight What's more, eventually clean starved for a look; Having or seeking after no pleasure, Spare what is had or should from you be took. In this manner do I pine and satiate step by step, Or on the other hand gluttoning on all, or all away.   Reword OF SONNET 75 As food is to the body so are you to my spirit and brain, Or on the other hand as spring showers are to the ground; What's more, for the happiness you bring me I permit such internal conflict As the contention between a penny pincher and his cash; Who rejoices in light of his riches, yet soon Fears that heartless contenders will take his fortune, Presently believing it best to have only you, At that point feeling that the world should perceive how upbeat I am; At one second entirely fulfilled by devouring your sight What's more, the following second completely starved for a gander at you: Having or looking for no joy But what you have given me or what I will request. Thus I starve or feed to overabundance contingent upon the day, Either glutting on you, or not having you by any stretch of the imagination.   Discourse The poem opens with an apparently euphoric and guiltless tribute to the youthful companion who is crucial to the artist's enthusiastic prosperity. In any case, the writer rapidly builds up the negative part of his reliance on his darling, and the complimentary representation that the companion is nourishment for his spirit rots into revolting symbolism of the artist shifting back and forth among starving and pigging out himself on that food. The writer is disturbed and terrified by his reliance on the youthful companion. He is devoured by blame over his energy. Words with verifiable sexual implications pervade the poem - "enjoyer", "treasure", "pursuing", "possessing", "had" - as do references to five of the seven "deadly" sins - covetousness (4), intemperance (9, 14), pride (5), desire (12), and jealousy (6).

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